Corey Mesler's favorite novels by poets

Shapiro’s Edsel appeared in 1971, well after Shapiro had established himself as one of America’s greatest poets and 25 years after he won the Pulitzer Prize. Like many novels by poets, the protagonist is a writer, in this case a poet named Edsel Lazerow. Also like many other novels in this grouping the setting is academia. I’m particularly fond of academic satires, from John Barth’s Giles, Goat Boy, to Richard Russo’s Straight Man, to the novels of British writer, David Lodge. Perhaps I enjoy these romps because I am a failed academic—I went to college for five years without getting a degree. They had the audacity to suggest that I take Zoology! Anyway, this novel is a hoot, and unjustly forgotten.

Quit Monks or Die! is something else indeed. It’s a mystery novel and a good one. It is set, yes! in academia, where a scientist and a graduate assistant are both found murdered. The scientist was working on an experiment involving monkeys. Does that have to do with why he was killed? Its cracker-jack plot, which involves animal rights, is complex but lucidly and expertly laid out. It's not just who done it, but what was done? This is not Kumin’s only novel but I believe it’s her only mystery.

This book is more autobiographical, based on his struggle with alcoholism. Berryman had already written a book of poems, The Dream Songs (my favorite book of poems), which practically reads like a novel. It’s full of wit and playfulness and jerry-rigged syntax. Recovery is also witty but not quite as playful. It’s darker, of course. Perhaps one’s perception of it is colored by the knowledge that Berryman had committed suicide in 1972, a year before its release. So, it’s a melancholy book, yet its difficulties are human and common and, here, well-wrought by a poet’s grace.

Leonard Cohen is one of my touchstones, an artist I take personally, someone who speaks to me deeply. He is best known as a singer/songwriter, the author of “Suzanne” and “Hallelujah.” He is not quite as well-known as a poet, but that’s how he started and he’d already published books of verse before his first album appeared. He also wrote two novels, the first when he was in his 20s. It is entitled The Favourite Game and it’s an autobiographical, Jewish, coming-of-age story. It’s so good it seems like an early Philip Roth novel.

In an interview, Cohen once said, “There’s no story so fantastic that I cannot imagine myself the hero. And there’s no story so evil that I cannot imagine myself the villain.” His protagonist is a little of both in this book. And the prose, as you might imagine is beautiful, simpler perhaps than in his poetry, but every line carries the symbolic weight of the book’s tender story. Here’s a funny aside: When it was published as a mass-market paperback in 1965, its tagline was “where sex is…The Favorite Game.”

Pictures from an Institution, to my mind, is the best novel written by a poet. It’s comical, biting, engrossing, moving, and flat-out entertaining. Once again, we are back in academia, at a woman’s college based loosely on Sarah Lawrence, and never has academia been skewered more amusingly. Regarding the college, one character muses, “You Americans do not rear children, you incite them; you give them food and shelter and applause.” The novel’s jokes—aphorisms, wisecracks, putdowns—come so fast and furious one could lose track of the story, if the story itself were not so interesting…and jovial. It’s funnier than throwing a hardboiled egg into an electric fan. Pictures from an Institution is also learned and wise and, underneath the drollery, there is a basic humanism that does not allow you to dismiss the book as mere satire.